granny records

2010-03-23T09:18:00.005+02:00

new site. click here.

2009-12-20T03:34:00.011+02:00

good luck mr gorsky live @ point black ( 1ος οροφος)

saturday 19 dec 2009

2009-12-09T13:15:00.002+02:00

2009-11-24T18:13:00.006+02:00

Avopolis reviews ikon

(written in greek text)

Στο σύγχρονο μουσικό σύμπαν, με τις ραγδαίες αλλαγές, μια πενταετία μπορεί να αντιπροσωπεύει έναν ολόκληρο κύκλο ζωής για κάποια συγκροτήματα. Υπάρχουν κι άλλοι όμως που προτιμούν να προχωράνε βήμα-βήμα, να πειραματίζονται, να δοκιμάζουν, να εξελίσσονται, να ωριμάζουν εν τέλει και ύστερα να μιλούν. Το γεγονός ότι οι Eventless Plot (ένα τρίο που κατοικοεδρεύει στη Θεσσαλονίκη) κυκλοφορούν την πρώτη ολοκληρωμένη τους δουλειά, έχοντας πρώτα περάσει αυτή τη (χρονική και ποιοτική) περίοδο ωρίμανσης, από μόνο του εκπέμπει, νομίζω, καλλιτεχνική ειλικρίνεια και εκλεκτικότητα. Ακούγοντας δε προσεκτικά το Ikon (και έχοντας υπόψη την διαδρομή του γκρουπ) επιβεβαίωσα την υπόθεση που έκανα αρχικώς, ότι δηλαδή αυτή είναι η πιο μεστή και συνάμα η πιο ποιοτική έκφραση της μουσικής τους ιδιοσυγκρασίας, μέχρι σήμερα.

Το Ikon μοιάζει περισσότερο ως η αντανάκλαση της ωριμότητας που κέρδισαν με τον χρόνο οι Eventless Plot, αν και η βασική σύλληψη του μουσικού οράματος του γκρουπ δείχνει να μην έχει υποστεί δραματικές μετατροπές. Αυτό όμως που τους κάνει καλύτερους εδώ είναι η σοφότερη και πλουσιότερη αρχιτεκτονική δόμηση του ήχου τους, η πιο δημιουργική καταγραφή των επιρροών τους, ίσως και η καλύτερη στόχευση στην κατεύθυνση των αναζητήσεων, που οδηγεί στην εμβάθυνση του ίδιου τους του ήχου. Εμβάθυνση η οποία, όταν συμβαίνει έπειτα από τη διαπλάτυνση των οριζόντων (και ποτέ αντίστροφα), αποδεικνύεται ικανή να οδηγήσει (μεταξύ άλλων) στη διατύπωση της αυστηρά προσωπικής φωνής. Και στο Ikon αυτή η προσωπική φωνή των Eventless Plot μου φάνηκε ξεκάθαρη όσο ποτέ.

Όπως και να ’χει, το Ikon είναι ένας δίσκος όπου τα φυσικά όργανα – κιθάρα, πλήκτρα, μελόντικα, ακόμη και κλαρινέτο – αλληλεπιδρούν υπέροχα με τα ηλεκτρονικά στοιχεία, δημιουργώντας σκοτεινά, μινιμαλιστικά και καλειδοσκοπικής φύσης ηχοτόπια. Το “Ideate Words Cannot” μας εισάγει σε αυτά, ενώ το “Harck Back” δίνει μια εύγλωττη ηχητική μετάφραση της παραπάνω αλληλεπίδρασης – με το κλαρινέτο του Τάσου Στάμου να διαδραματίζει πρωταγωνιστικό ρόλο. Στο “Ikon 3”, στη συνέχεια, χτίζεται υπομονετικά ένας υπέροχος μικρόκοσμος ήχων, θορύβων και διακριτικών beats γύρω από μια επαναλαμβανόμενη φράση στο πιάνο. Ένας μικρόκοσμος που γίνεται κύρια εικόνα στο “Paraccium”, με τις επεξεργασμένες κιθάρες σε ρόλο οδηγού της αυξανόμενης έντασης. Στο “Habit Habitant” πάλι, στήνεται μια υποβλητική ατμόσφαιρα από ήχους και παραμορφώσεις, την οποία διαρρηγνύουν εντέχνως τα μεταβιομηχανικά ηλεκτρονικά, για να φτάσουμε στο “Two Season And Autumn”, όπου η ακουστική κιθάρα προσφέρει ένα σταθερό μελωδικό σημείο γύρω από το οποίο αναπτύσσονται «σπασμένα» beats, μελωδίες από keyboards που απλώνονται στο ηχητικό φάσμα και ένας θορυβώδης ήχος, ο οποίος ανεβάζει σταδιακά την εσωτερική ένταση του κομματιού.

Οι Eventless Plot, με λίγα λόγια, ασχολούνται στο Ikon με μια κάπως εσωστρεφή πλευρά της abstract electronica, επεξεργαζόμενοι τα ambient ηχοτόπιά τους (που πότε τείνουν στο drone και πότε σε πιο σκοτεινά θέματα) σύμφωνα με τις αρετές του μινιμαλισμού, απλώνοντας τις μελωδίες τους, υπονοώντας σε κάποιες περιπτώσεις (όπως για παράδειγμα στο “Ikon 3”) έξυπνους ρυθμούς ή χρησιμοποιώντας μια αφαιρετική jazzy αισθητική (“Harck Back”). Αν κάτι νομίζω ότι χρίζει βελτίωσης είναι τα τελειώματα κάποιων κομματιών, κάτι, όμως, που σίγουρα αποτελεί ήσσονος σημασίας λεπτομέρεια. Μεγαλύτερη σημασία έχει ότι το Ikon αποτελεί μια εξαιρετική απεικόνιση του μουσικού ειδώλου των Eventless Plot. Είναι, φαντάζομαι, εξαιρετικό να βρίσκεις με τόση καθαρότητα τη χροιά της δικής σου φωνής. Και τώρα που οι Eventless Plot όχι μόνο τη βρήκαν, αλλά τη χρησιμοποίησαν και με τέτοια διαύγεια, έχω την αίσθηση (και την ελπίδα) ότι στο μέλλον θα καταφέρουν ακόμη περισσότερα.

link

2009-11-11T21:30:00.003+02:00

monochrom reviews ikon

At a certain level of abstraction all rationalization becomes very complicated and complex and hard to follow. When I first listened to “Music for Airports” and then also when I first listened to “My life in the bush of Ghosts” I was very much less than thrilled or excited, and maybe the reason for this reaction was on the one hand that I listened to these pieces some decades after they were first released, and on the other hand after I had read a lot about them, so my expectations were completely formed. And, of course, the two reasons worked together to result in a self-fulfilling dissatisfaction. My lesson from this was never to go towards a new record with prejudices. Or at least try to, because honestly, it is impossible. All you can do is to check and re-check your reactions.

Eventless Plot construct music on a level of abstraction that makes especially wholeheartedly subjective, purely emotional listening hard to reach excitement. On the other hand, pure rock and a well played guitar riff, e.g. “Brown Sugar” by Keith Richards, goes directly to that part of your brain but will probably only hold up to a more intellectual consideration by heavy re-argumentation and re-connotation. (Which should be avoided by changing to this argument: “I know, it’s only rock’n’roll but I like it.”) Therefore it is usually the best to take music as it is. And if you are able to enjoy and experience a musical rendition of stasis that is not ambient or drone but postrock in the best sense of the word as stated above, then you are ready for this little album. Because with all means available to them, this band / project from Greece dives into the notion of non-movement with full force. It took me some months to get to the bottom of this, and maybe I didn’t but just managed to find a place to stand on that allowed me to take a good look, so what may be disregarded as simple and uneventful pickering at first sight, is actually an exciting endeavour.

Compared to their last release Eventless Plot (the split lp with Goodnight Mr. Gorsky also on Granny records) has taken a big step towards a new journey, which will take them to new places and unchartered waters. Who can say where to exactly? Probably not even they themselves. But moving is good and important on a different level, especially when it leads you to analyze non-movement in an artistic sense. Maybe it was all given away and predictated when they chose the name “Eventless Plot” and they back then never thought anything of it. “Ikon” takes that travel for six times in six very different ways but every time the basic non-motion remains. Even when there is a break, a bridge or a change in rhythm in their tracks it seems as if it only adds to the overall stasis. It must be an intention, because “ikon” says as much. What is an icon, if not something that is so fixed in people’s minds that is a complete fixture and cannot be changed? (That is except for irony, because irony can do anything…) It is hard at times to even make out if Eventloss Plot are a band playing on real instruments or electronic or both, because they mix it up with grace and skills, producing subtly winding tracks that make Sunday mornings hold their breath and not go by. Unfortunately every record has to end at some time.

Nowadays I listen to “Music For Airports” and “My Life in the bush of ghosts” from time to time and I say I enjoy listening to them. I also listen to “Made in the Shade” from time to time and I enjoy it. As a listener there is no reason to constrain yourself, as opposed to the producer of music. The decisions each one takes are very different. “Ikon” should be a well-thought decision on the listener’s side, but if taken with consideration a great reward as well.

link

2009-10-27T14:27:00.017+02:00

good luck mr gorsky & inverz photos from the recent live in the city of Xanthi

Many thanks to all and especially to Giorgos, Mihalis, Pasxalis .

2009-09-20T11:18:00.007+03:00

good luck mr gorsky
inverz

LIVE
24.10.09 | Σπίτι Πολιτισμού ΦΕΞ/House of Culture ΦΕΞ | Ξάνθη

2009-08-31T12:55:00.003+03:00

Loop reviews ikon

Eventless Plot the Thessaloniki, Greece-based trio delivers an electro-acoustic sound using clarinet, piano, melodica, guitars, and processed electronics.
"Ikon" is their fourth release to date after some splits and compilation appearances in independent labels.
They blend keyboards, glitchy snippets and jazz like sounds. The effect is a flickering tension between improvised and composed ambience.
The omnipresence piano notes on “Ikon 3” give classical touch alongwith digital sound bits, a perfect soundtrack for a thriller. “Habit Habitant” continues these dark passages with deep keyboard lines that go beyond the horizon. Stunning! On “Two Season and Autumn” merged slide acoustic guitar sounds and domestic found sound objects that interact perfectly.
“Ikon” is a gorgeous album where improv compositions and more structured ones are well-balanced.

Guillermo Escudero
August 2009

link

2009-08-27T02:46:00.006+03:00

ikon review by textura magazine

After split releases with Mescalina Eden (Gracetone, 2005) and Good Luck mr Gorsky (Granny, 2008) and a few compilation appearances, Eventless Plot steps out with its debut full-length ikon. On the forty-minute disc, the Thessaloniki, Greece-based trio generates electro-acoustic pools of processed electronics, field recordings, microsound textures, samples, and the acoustic sonorities of clarinet, piano, melodica, and guitars in six heavily-textured settings.

“Ideate. Words Cannot,” a slow-motion ambient workout of processed stutter and fuzz, provides a credible opener, if one not much different in character from electro-acoustic settings of its kind heard before. Much of what follows, on the other hand, is distinctive, in large part because many of the subsequent pieces use one or two acoustic instruments as their core. “Harck Back” sounds wholly unique in its marriage of clarinet meander (by Tasos Stamou) and space age electronics. There's a rhythmic pulse at work but it's more felt than stated, and the piece crawls along at a lumbering pace—all the better for the clarinet and electronics to pursue their explorative trajectories. In similar manner, a brooding piano motif occupies a central position in “Ikon.3,” acting as the glue holding together the speckled electronic dust that sputters, clicks, clanks, and pops throughout. The electric guitar takes its turn at center stage in the album's densest setting, “Paraccium,” as a cauldron-like broil writhes alongside guitar shadings and, again, clarinet playing. Though speckled with acoustic guitar fragments, “Two Season and Autumn” is reminiscent of the shape-shifting processions of manipulated sounds that flow through Entain and Multila's long-form tracks—until, that is, a loud whirring noise nearly swallows “Two Season and Autumn” whole.

Though the penultimate piece, “Habitat Habitant,” a heaving cloud formation of electronics and processed sounds, reverts to the protoypical “glitch” focus of “Ideate. Words Cannot,” its doing so doesn't overshadow the individuating quality of the album's surrounding material. Ultimately, one could just as easily imagine 12k releasing ikon rather than Granny, given the album's atmospheric and sculpted character. Still, what sets the release apart from others in its category is its inspired incorporation of acoustic instrumentation.

link

2009-08-15T10:38:00.007+03:00

Australian magazine Cyclic Defrost reviews Ikon.

Eventless Plot is something of a misnomer, as the post-clicks n’ cuts electroacoustics of this Greek ensemble displays more confidence and direction than most in this game. The three-piece use a variety of organs, field recordings and digital processing to create beatless flickering pieces that resemble the work of 12k artists like Seaworthy and Sawako. It’s almost ambient, but too unsettling, with wavering sine tones touching on almost-painful highs and a cold, reverberant din evoking the alien(ated) terror of the abandoned space stations of science fiction films.

In ‘Ideate.Words Cannot’ a bass drone looms low like a shark, forcing greater shivers from the surrounding waves, while ‘Ikon 3′ pits springy analogue tones against a spacious laptop-keyboard duet worthy of Alva Noto and Sakamoto. Eventless Plot are at their finest in dialogues of this sort, best demonstrated in ‘Harck Back’ where Tasos Stamou guests on clarinet, duelling with aquatic digital blurts like some kind of undersea jig, drowning in a submerged New Orleans jazz-joint in the midst of Katrina.

Joshua Meggitt

link

2009-08-06T11:28:00.013+03:00

Sound Proector Reviews ikon

Recently I got the debut work of another, unknown for me Greek project Eventless Plot. Music of this trio is a mixture of experimental ambient and various live instruments such as piano, clarinet, guitar, it all is skillfully filled with characteristic electronic microsounds. One can hear something similar in releases of such labels as Mille Plateaux, Raster-Noton or 12k. I found something interesting and catching in this album. The sound doesn't just spread over the walls and doesn't drone monotonously, there is the development of composition, even not development but a hint at development that makes Eventless Plot's work a little bit delusive and misty. Discernible inescapable melancholy doesn't make acquaintance with this album simple, though it's interesting to listen to it as if you were opening the new verges of your perception. Above-mentioned live instruments perfectly fit into general sounding, using these instruments, to my mind, points ikon out among many other similar works. For example in track "Harck Back" exactly clarinet accentuates the darkish tones creating the atmosphere of such noir from 'twilight zone'. And the repeating piano chords in "Ikon.3" sound even a little bit frightening but at the same time attractive and charming.
The album must undoubtedly interest the fans of various experiments, there are enough of them and the 40 minutes of the record pass without mention. (sound proector)

Eventless Plot have joined sound proector's last podcast here

2009-07-03T15:39:00.004+03:00

Vital Weekly Reviews Eventless Plot

Also from Greece are Eventless Plot, who released a split album with Good Luck Mr Gorky which was reviewed in Vital Weekly 618. Eventless Plot is a three piece group ‘using a variety of organs, analog sources, field recordings, as also electronics and processed sounds’, although elsewhere it is mentioned that they use clarinet, piano, melodica and guitars. Whatever, me thinks. Its not that important, the result here is what counts and the result is great. This is not music that is easy to classify. But things come close to some of the music on 12K: glitch like, ambient, atmospheric, but there is throughout a feeling of jazz and post rock to be detected in these pieces. The piano plays softly in the background, the clicks produce a jazzy rhythm, and the organs are nicely adrift. Not very outspoken this music, but rather introspective and throughout highly atmospheric, but they do reach firmer, more solid ground at times, such as in ‘Habit Habitant’. Throughout an excellent debut album

2009-05-15T18:06:00.022+03:00

ikon is the latest work by Eventless Plot, following up their split album with Good Luck mr Gorsky (granny02, 2008). In this album Eventless Plot approach an electro-acoustic sound using clarinet, piano, melodica and guitars blended with sampled recordings and processed electronics. As a result there is a complex ambience of sounds which provides the structure of the songs. Warm feedbacks, microsounds and rhythmic pulses create a jazz aesthetic which characterizes ikon's sound. This is Eventless Plot's first full length album to date.

Listen to an expert taken from granny records' forthcoming release, 'ikon' by Eventless Plot.

Eventless Plot - harck back

2009-05-08T01:06:00.009+03:00

free piece of tape | inverz
live
facta non verba
i.dragoumi 65
saturday 16 may

|
|
update : pictures from the show
(more will follow)

2009-04-24T11:35:00.005+03:00

Greg Haines live
(and an improvisation with good luck mr gorsky)

Saturday 2 may
facta non verba . I Dragoumi 65
21.00

update : images from the show

2009-04-04T12:46:00.003+03:00

pictures from good luck mr. gorsky's live at Zenti bar.
(by freon)

2009-03-16T22:59:00.004+02:00

good luck mr gorsky
live
29 march 2009
zenit bar
the saloniki

2009-03-01T10:49:00.002+02:00

good luck mr. gorsky
live
Saturday 7 March
Kinky Kong
20:00

2009-01-27T18:14:00.004+02:00

here is a review of eventless plot|good luck mr. gorsky split cd
from the greek webzine, avopolis written in greek.

link

'' Υπάρχουν πολλοί λόγοι που τέτοιου είδους κυκλοφορίες, σαν και το split άλμπουμ των Goodluck Mr. Gorsky και Eventless Plot, είναι σημαντικές. Γιατί σε ένα συρφετό από αδιάφορες μουσικές δημιουργίες, γεμάτες ανοησία και ματαιοδοξία, μάς υπενθυμίζουν ότι υπάρχουν μικροί έστω πυρήνες αντίσταστης, αποτελούμενοι από ανθρώπους με πάθος και μεράκι, οι οποίοι, ξεπερνώντας αυτή την αναζήτηση του εύκολου, ψάχνουν διαφορετικές κατευθύνσεις, μέσα από δύσβατα πολλές φορές μονοπάτια. Και ασχέτως αν τα μουσικά γούστα του καθενός από εμάς πλησιάζουν ή αποκλίνουν με το προσφερόμενο αποτέλεσμα, όσο υπάρχουν τέτοιοι πυρήνες, θα κρατιέται πάντα ανοικτή αυτή η μικρή χαραμάδα ελπίδας. Και το ζήτημα δεν περιορίζεται στη μουσική – έχει να κάνει και με τον τόπο όπου βρισκόμαστε. Γιατί ζούμε σε μια χώρα όπου η λέξη ελπίδα κινδυνεύει να μετατραπεί (αν δηλαδή δεν έχει ήδη μετατραπεί) περίπου σε ανέκδοτο – ο θλιβερός κατάλογος με τα όσα πάνε στραβά στη χώρα μας μοιάζει ατελείωτος. Ίσως η πηγή του κακού να είναι η νοοτροπία που έχουμε εδώ και χρόνια υιοθετήσει σαν κοινωνικό σύνολο, αυτή η επιδίωξη του εύκολου, η οποία φαίνεται να έχει διαποτίσει σχεδόν όλες τις δομές της κοινωνίας, κάνοντάς τη φυγόπονη, λιγόψυχη. Από αυτή την κατάσταση φυσικά δεν μπορεί να εξαιρεθεί ο πολιτισμός, οι τέχνες, η μουσική.

Η Granny Records αποτελείται από μια ομάδα ανθρώπων (μια κολεκτίβα, όπως μας αρέσει να λέμε τελευταία) που μοιράζονται μεταξύ τους προβληματισμούς, αγάπη για παρόμοια μουσικά ακούσματα και κοινές επιδιώξεις, η οποία με τα πενιχρά μέσα που διαθέτει φιλοδοξεί, καθώς φαίνεται, να γίνει περισσότερο κάτι σαν δίαυλος επικοινωνίας μεταξύ των φίλων του συγκεκριμένου είδους με το οποίο ασχολείται, παρά ένα κανονικό label με την εμπορική έννοια του όρου. Η μουσική δε κινείται κάπου ανάμεσα στο ambient, το post rock και την electronica, παίρνοντας ίσως την σκυτάλη (τουλάχιστον όσο αφορά τη Θεσσαλονίκη) από την εξαιρετική, πρωτοπόρα και δυστυχώς εν αναστολή των λειτουργιών της (ελπίζουμε προσωρινά) Poeta Negra.

Τα δύο τριμελή σχήματα που παρουσιάζονται εδώ, έχοντας αναπτύξει ισχυρούς δεσμούς φιλίας, αποφασίζουν να συμμετάσχουν στην όλη προσπάθεια με την κυκλοφορία αυτού του split δίσκου, συνεισφέροντας από τρία κομμάτια έκαστο, δίνοντάς μας ένα δείγμα της εξαιρετικής τους δουλειάς. Αμφότεροι έχουν μικρή δισκογραφική εμπειρία – οι μεν Goodluck Mr. Grosky συμμετείχαν στις συλλογές Bits Of Quarter Blitz (στην πρώτη κυκλοφορία της Granny, το 2005) και Non Linear Views (ανεξάρτητη παραγωγή, 2006), ενώ οι Eventless Plot κυκλοφόρησαν ένα split 7'' βινύλιο με τον Ιταλό Mescalinaeden μέσω της Gracetone Recordings το 2005, συμμετείχαν κι αυτοί στη συλλογή Non Linear Views, καθώς και στη Yuria 2006 - ενώ αξιοσημείωτη είναι επίσης η εμφάνιση και των δύο στο περσινό Synch, καθώς και η κοινή τους μουσική απόδοση της βουβής ταινίας The Phantom Carriage (διαδικασία που μάλλον έφεραν σαν «εναλλακτική» μόδα οι Cinematic Orchestra με τη μουσική τους για το Man With A Movie Camera).

Μιλάμε για δύο συγκροτήματα με κοινή καταγωγή, κοινή αφετηρία, παρόμοιες αναφορές, αλλά με μικρές, ωστόσο, ουσιώδεις διαφορές στον τρόπο σύλληψης και απόδοσης των αργόσυρτων ιδεών τους. Οι Eventless Plot, για παράδειγμα, δείχνουν μια αφοσίωση σε μια πιο ηλεκτρονική χροιά του ambient, με χρήση πολλαπλών παραμορφώσεων – είτε αυτές προέρχονται από laptop, είτε από τις ατμοσφαιρικές κιθάρες που χρησιμοποιούνται κατά κόρον (εκτός από ένα σχετικά καθαρό, επαναλαμβανόμενο ριφ στο "Gram/ma") – σαφέστατα επηρεασμένες από καλλιτέχνες όπως ο Christian Fennesz. Με τις οποίες δημιουργούν ένα τείχος λευκού θορύβου, όπου και χτίζουν την εκάστοτε σύνθεση. Συνθέσεις που ακολουθούν μια κλιμακούμενη ένταση (στοιχείο που τελευταία μας οδηγεί – πολλές φορές εσφαλμένα – στον χαρακτηρισμό post rock), με όργανα και samples να προστίθενται στην πορεία και να συνυπάρχουν με τα ευφυέστατα beats, τα οποία παραπέμπουν σε σύγχρονους minimal techno πειραματισμούς και χρησιμοποιούνται και σαν ένα ακόμα στοιχείο έντασης: όπως για παράδειγμα στο "Caudatum" την πιο μακροσκελή και κατά την ταπεινή μου άποψη πιο «προοδευτική» σύνθεση του δίσκου. Αντίθετα οι Goodluck Mr. Grosky δείχνουν μια τάση σε μια πιο καθαρή μορφή του ambient, με καθαρές μπασογραμμές, ένα minimal drum set και καθαρά ακόρντα στη κιθάρα, θυμίζοντας σε διαστήματα τον Yellow 6. Φυσικά αυτό δεν σημαίνει ότι οι Goodluck Mr Grosky δεν χρησιμοποιούν την τεχνολογία. Το Autechre-ικό π.χ. beat στο εισαγωγικό "Organisa", καθώς και η όλη διαδικασία απόδοσης του εξαιρετικού "Olchmin" – ίσως η καλύτερή τους σύνθεση – την οποία φαίνεται να οδηγεί με έναν εξαιρετικά ευρηματικό τρόπο η μελόντικα και ένας διαολεμένα παραμορφωμένος ήχος τσέλου, φέρνει (έστω και αμυδρά) στο μυαλό τους Tied + Tickled Trio του Aelita.

Θα μπορούσε γενικά να ειπωθεί το πλέον κοινότοπο σχόλιο για ό,τι αξιόλογο κυκλοφορεί εντός των ελληνικών συνόρων. Ότι δηλαδή η συγκεκριμένη κυκλοφορία άνετα θα ευσταθούσε σε ένα κορυφαίο για τη συγκεκριμένη μουσική ευρωπαϊκό label, ότι τα δύο συγκροτήματα δεν έχουν κάτι σημαντικό να ζηλέψουν από τους Ευρωπαίους συναδέλφους τους κ.ο.κ. Αυτό όμως που έχει σημασία στους σημερινούς δύσκολους καιρούς είναι ότι το συγκεκριμένο split άλμπουμ μας γεμίζει με την ελπίδα ότι τελικά κάτι μπορεί και να αλλάξει. Μας δίνει μέσα στη σκοτεινιά των συνθέσεων την πεποίθηση ότι, όσο υπάρχουν μουσικοί με φαντασία, ευρεία αντίληψη του αντικειμένου και διάθεση για πειραματισμό, όπως οι Goodluck Mr. Grosky και οι Eventless Plot (στεκόμενοι δίπλα σε ονόματα όπως οι Peekah Tayloh, Dani Joss, Your Hand In Mine, Spyweirdos κ.α.) υπάρχει πάντα η πιθανότητα να δούμε αυτό το αναθεματισμένο φως στην άκρη του τούνελ, το οποίο δυστυχώς φαντάζει πάντα τόσο μακρύ.''

2009-01-02T13:48:00.005+02:00

inverz - songs
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''As far as ambient electronica and soundscapes go in 2008 this is among the best that I have heard (along with Curtis Crayon and Black To Comm). Dense, full and dynamic tracks that vibrate and hum with organic life and praise the details and most minimal things in life as the most important. The simplicity and straightforwardness is just on the surface, but if you dive into the tracks, or let them drown you in their gentle sparkle, then you'll realize all the microscopic sparks glistering around you. In some ways Inverz still has the organic structure that I am missing so dearly with Fennesz these last years. This album burns with its own translucent beauty.''
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cracked

| i| n| v| e| r| z|

2008-12-17T11:27:00.003+02:00

inverz ||| opening the machinefabriek ||| show in Athens.

inverz live @ kinky kong with Machinefabriek

2008-12-06T11:49:00.005+02:00

phantom carriage II

2008-11-19T21:23:00.008+02:00

good luck mr. gorsky and eventless plot gave a great performance during the screening of 'the phantom carriage' for the 49th Thessaloniki Film Festival.

The musicians would like to thank the 'independence days' department and Lefteris Adamidis, the 'facta non verba' team for providing the rehearsal space, Michael Albright, Apostolos Karakasis and all their film students, and all the people who came.

| the phantom carriage |

2008-11-10T09:55:00.006+02:00

good luck mr gorsky and eventless plot will perform live at the 49th thessaloniki film festival, playing along the screening of the Swedish film 'the phantom carriage'. The event will take place on Tuesday ,November 18, at 'John Cassavetes' theater , 22:30 .

for information on the film go here

new release | inverz-songs

2008-06-27T10:24:00.016+03:00

‘Songs’ by Inverz is granny records’ third release following the split release between eventless plot and good luck mr gorsky (2008) and the compilation cd ‘bits of quartz glitter’ (2004).

Inverz is the moniker under which Savvas Metaxas records his music the last four years. The ‘songs’ album was recorded during the winter of 2008 at inverz’s home and the compositions were built upon various layers of electric and acoustic guitars, vintage synths and field recordings. The album is enhanced with two collaborations, one featuring Iraklis Iosifidis from 2l8 on ‘bow song’ and the second featuring one mile tar on the remix of ‘q song’. Inverz, being an actual member of good luck mr gorsky and also playing and recording for the 2L8 band has established his presence in the underground musical community of Thessaloniki. In this album he offers his own interpretation of wide landscapes, abstract ambience and noise that stands out as his most complete work to date.

tracklist

l song

d song

r song

k song

f song

v song

bow song

q song

thessaloniki lotus |rollin under|wax
athens vinyl microstore
online lotus | playourmusic | catch the soap

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reviews|
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Recorded and mixed by Inverz (real name Savvas Metaxas, based in Thessaloniki, Greece and a founding member of Good Luck Mr Gorsky) at home during last winter, Songs' eight settings were assembled from multiple layers of electric and acoustic guitars, synthesizers, field recordings, loops, electric piano, an old tape recorder, melodica, and samples. Though they're short for the genre (most are in the five- to seven-minute range), the pieces are fundamentally ambient noise drones that Metaxas has shaped into slow-moving panoramas of immense textural depth. And though they're not conventionally pretty in character, they're not unmusical or dissonant either. The source materials are sometimes melded into teeming abstract wholes and lose their identifying character as a result: “l song” pursues a linear trajectory as it slowly swells into an immense vortex of droning layers, and “r song” opens with scattered pings of tinkles that are eventually buried under a hammering wave of noise. In other cases, the instruments remain identifiable: “k song” brings the intensity down a few notches which allows the electric guitar to be clearly heard amidst the industrial churn, “v song” opens with peaceful layers of acoustic guitar picking that are eventually engulfed by sheets of noise, and “t song” presents a seething blend of piano tinkles and what sounds like amplified seashore sounds. The fifty-four-minute collection includes two collaborations. The deep groan of the bowed contrabass underpins upper register string fragments in the album's longest and most memorable piece, “bow song,” which Metaxas constructed using several contrabass samples played by Iraklis Losifidis and which grows into a heaving, near-tribal mass of percussive accents and layered strings. The closing “q song,” a remix treatment featuring One Mile Tar, seems a rather anomalous inclusion by comparison, given the degree to which it gravitates towards conventional rhythm-based electronica. Even so, the rather cheekily-titled Songs should certainly satisfy listeners with an appetite for abstract sound sculpting.

textura
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''Savvas Metaxas (which sounds like a good drink) is the guitarist from 2L8 and a member of Good Luck Mr Gorsky but also active solo under the guise of Inverz. For his album 'Songs' he plays guitar (electric and acoustic), vintage synthesizers and field recordings. That may seem like old hat, and obviously the end result doesn't offer much new under the micro sun, but I thought the result were pretty neat. Tinkling guitars in the middle of sea of swirling electronic sounds, field recordings being processed to quite an extent where they become unrecognizable. Maybe its all done and said before, and occasionally also better than this, this is still a fine copy of say Fennesz meets Machinefabriek. Core piece is 'Bow Song', which features only the contrabass by Iraklis Iosifidis, in various, layered samples, building a nice drone piece. On a hot day like this, I'd like to sit back and enjoy whatever is coming to me in a nice way, and this is just the one for such a day; when more thinking is not necessary''. (FdW)

VITAL WEEKLY 639

|my space|
|last fm|

synch images

2008-06-22T16:26:00.008+03:00

__________ ______________ _ ___ _
_ _ _ ________ ||| | ||| ______ |||||
_________________ good luck mr gorsky ______ synch 2008 ______________ __

__________ eventless plot ____ __________ synch 2008__ pic by katrakazis antonis
| | _____________________ |

thanks to those who supported the two live acts and to the people who gave the bands pictures from the shows.

live photos from the facta non verba sessions

2008-05-26T09:32:00.010+03:00

good luck mr gorsky

_____________________|______________________mecha/orga
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freon+inverz
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kostis killymis
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eventless plot
_____________________|______________________

tasos stamou
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thanks to everyone for coming | | | | _______________________________________________

______________________________________________________________________more images will follow

live [2] days

2008-05-17T23:44:00.007+03:00

________ |||||| __|_|_ ------------------------______
_________ | | __________--- ______________________

live at residents

2008-04-23T12:45:00.007+03:00

good luck mr gorsky | eventless plot___________ _ ______ ______live at residents bar

_______ ______ | ____________ ___________ | | ________
____________________________________________________________________

synch festival

2008-04-10T10:36:00.003+03:00

eventless plot and good luck mr gorsky will perform at this year's synch festival.
for more info go
here

eventless plot | good luck mr. gorsky

2008-02-12T10:22:00.015+02:00

eventless plot | good luck mr. gorsky. split cd. out now.

There are three people behind Good luck mr. Gorsky. The band was formed in Thessaloniki and this is their first release. In the past the band had participated in two compilations, ‘bits of quartz glitter’ (granny 2005) and ‘non linear views’ (no label, 2006) including artists like Theodore, neon, 2l8… The band’s compositions are based on natural sound sources and various instruments; all processed live, through sound and loop manipulations.

Eventless Plot is a three-member band from Thessaloniki. Their music moves around experimentation by using software, synths, processed guitars and other strange or not instruments. They have taken part in ‘non linear views’ compilation (no label, 2006) including artists like Theodore, neon, 2l8… and in ‘yuria’ compilation (vm recordings, 2008) with artists like Leafcutter John, Spyweirdos, Vokal Idiot…They have also released a 7”split single with Italian composer Mescalinaeden for Gracetone Recordings label.

tracklist.

organisa
chromes
olchmin

underseashore
gram/ma
cautadum

lotus|rolling under|wax records thessaloniki
vinyl microstore athens
9 richter larisa
www.playroumusic.net | www.lotus.gr online

“Chromes” by Good Luck Mr. Gorsky mixes the slowly meandering beat of what could be an acoustic version of dubstep with the polished yet intellectually refined jazz ambience of early ECM circa Mick Goodrick or Gary Burton, then adds some electronic crackles and a female voice as ephemeral and adrift in its own world as the best of music from iceland. Yet the tree piece Good Luck Mr. Gorsky, who open up this split-CD, are from the European geographic opposite of iceland, Greece. Throughout their three tracks on this split Good Luck Mr. Gorsky stay within the slowly moving area, defines its own track with a distinct yet warm bassline and the rest of the instruments playing around it. The ECM-ambience is further enhanced when a glockenspiel comes up for a solitary moment in “olchim”, the third track.

Eventless Plot, their partners on this release, are also a three piece band from Greece and they dive into associated musical waters, though their mix is somewhat more complex yet more experimental. All six tracks on this unique release are delicate examples of fine, intuitive composing and a sort of musicianship, where a certain feeling counts more than craftmanship. They also mix a little electronic trickery with acoustic instruments, starting off with a low hum overlayed with various things at once, which after Good Luck Mr. Gorsky makes you think of some more dubstep influenced postrock. But inspite of the dark and brooding urban nightscene atmosphere there is a few suprises up around the bend. For instance when vocal samples effectively destroy a song at the end or when relentless feeping sounds introduce a shattering silence of glass chimes, or when “gramma” develops from tiniest beginnings to a mountain of layers of sounds.

cracked/monochrom

“Organisa” takes the listener on a slow drift through an underground tunnel resonant with guitar shadings, horns that cry like dying animals, and other disturbed noises. In the equally slow-moving dirges “Chromes” and “Olchmin,” monotone voices and glockenspiels bleed over curdling bass and drum rhythms. One might liken Good Luck Mr. Gorsky's gloomy post-rock experimentalism and nocturnal jazz guitar shadings to a diseased Labradford.

Armed with synths, processed guitars, and other instruments, Eventless Plot is kindred in murky spirit to Good Luck Mr. Gorsky. In “Underseashore,” bell tinkles, disembodied voices, and string tones swim within a thick cauldron of simmering noise while “Gram/Ma” begins tranquilly before swelling into an eruptive mass of clarinet croaks and cymbal accents. “Cautadum” meanders through a gloomy desert of piano tinkles, cello tones, and electrified micro-patter for twelve glassy minutes.

textura

‘There are images in which there is nothing to see, images without trace, without shadow, without consequnecees’ wrote once Jean Baudrillard. But everything can be described, with the appropriate orchestra, that will play the exact music needed indecisive on the right time. Including that of the primarily impossible’ [review in Greek]

mic

'Like urban afternoon soundtracks. There is a nice continuity between both acts here, although from different approaches and all in all, a nice release''

tilt recordings

'the musical quality however is very high for both bands. Great playing, moody music, enough sense of experimentalism, make this a great CD that can easily meet the best in this otherwise not very crowded field'

vital weekly

'Both bands work on structures and forms, grounded on the post-rock and electronica sounds of the early 90s , but on the contraty to many others, what they play is many steps far from the artistic death caused by post.' [review in Greek]

tranzistor

'...Two of the new most promising Greek bands, experimenting with all the aspects of modern electronica. It starts like a dream which gradually becomes a nightmare. ' [review in Greek]

lifomag

non linear views nights(part 2)

2006-11-15T21:41:00.000+02:00

photos by akipo

non linear views nights(part 1)

2006-11-04T02:15:00.000+02:00

ΤΕΤΑΡΤΗ 01/11/06

το δευτερο μερος την ΔΕΥΤΕΡΑ 13/11/06 (ινφο εδω)

Non Linear Views!

2006-06-23T02:23:00.000+03:00

Η συλλογή non linear views είναι μία ανεξάρτητη κυκλοφορία φτιαγμένη αποκλειστικά από τα συγκροτήματα τα οποία συμμετέχουν σε αυτή. Σκοπός αυτής της συλλογής είναι η συνεύρεση διαφορετικών μουσικών στη ίδια κυκλοφορία χωρίς περιορισμούς στον τρόπο έκφρασης τους και στις ηχητικές τους αναζητήσεις. Για περισσότερες πληροφορίες μπείτε εδώ